"Canciones negras: Canción de cuna para dormir a un negrito" by Xavier Montsalvatge, Teresa Berganza, Felix Lavilla was released on January 1, 1992. The duration of Canciones negras: Canción de cuna para dormir a un negrito is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Canciones negras: Canción de cuna para dormir a un negrito's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Various: Canciones españolas by Teresa Berganza, Narciso Yepes, Felix Lavilla. The song's track number on the album is #27 out of 59 tracks. In terms of popularity, Canciones negras: Canción de cuna para dormir a un negrito is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Canciones negras: Canción de cuna para dormir a un negrito by Xavier Montsalvatge, Teresa Berganza, Felix Lavilla has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Canciones negras: Canción de cuna para dormir a un negrito being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite sur des mélodies populaires grecques du Dodécanèse: I. Air de Karpathos | Yannis Constantinidis, Danae Papamattheou-Matschke, Uwe Matschke | A Minor | 1 | 8A | 83 BPM | ||
Piano Concerto No. 3 in C Major, Op. 26: 2. Tema con variazioni | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 80 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night (arr. for cello and piano) | Anonymous , Samuel Barber, Zuill Bailey, Lara Downes | E Minor | 1 | 9A | 87 BPM | ||
Schumann: 3 Romances, Op. 22: No. 1 Andante molto | Clara Schumann, Emmanuel Pahud, Eric Le Sage | B♭ Major | 0 | 6B | 87 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Solveig's Song | Paavo Berglund | A Minor | 0 | 8A | 91 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 62 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM |
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