Strauss, R: Don Quixote, Op. 35: Variation V. The Knight's Vigil - Richard Strauss, Rudolf Kempe, Paul Tortelier, Staatskapelle Dresden Information

Acousticness: 90%
Danceability: 18%
Energy: 11%
Instrumentalness: 88%
Liveness: 10%
Loudness: 62%
Speechiness: 4%
Valence: 6%
Popularity: 0%
Loudness: -23.021 dB

Summary

"Strauss, R: Don Quixote, Op. 35: Variation V. The Knight's Vigil" by Richard Strauss, Rudolf Kempe, Paul Tortelier, Staatskapelle Dresden was released on 2013. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 103 in the song's album "Strauss, Richard: Complete Orchestral Works". In this album, this song's track order is #49. In terms of popularity, Strauss, R: Don Quixote, Op. 35: Variation V. The Knight's Vigil is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Strauss, R: Don Quixote, Op. 35: Variation V. The Knight's Vigil BPM

With Strauss, R: Don Quixote, Op. 35: Variation V. The Knight's Vigil by Richard Strauss, Rudolf Kempe, Paul Tortelier, Staatskapelle Dresden having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Strauss, R: Don Quixote, Op. 35: Variation V. The Knight's Vigil Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace	Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn	B Major	1	1B	142 BPM
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme	Benjamin Britten, London Symphony Orchestra, Steuart Bedford	B♭ Major	1	6B	83 BPM
Tristan und Isolde, WWV 90: Prelude To Act I	Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons	A Minor	1	8A	79 BPM
Elektra, Op. 58: "Wo bleibt Elektra?"	Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova	G Major	2	9B	78 BPM
4 Lieder, Op. 27, TrV 170: 1. Ruhe, meine Seele!	Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen	F Major	0	7B	85 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo	Gustav Holst, English Sinfonia, Howard Griffiths	E Minor	1	9A	132 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	C Major	0	8B	54 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6511712074279785

End: 0.6551969051361084