"4 Lieder, Op. 27, TrV 170: 1. Ruhe, meine Seele!" by Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen was released on May 31, 2019. With this song being about 5 minutes long, at 4:36, "4 Lieder, Op. 27, TrV 170: 1. Ruhe, meine Seele!" by Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Richard Strauss: Four Last Songs / Wagner: Arias from Tannhäuser". In this album, this song's track order is #4. 4 Lieder, Op. 27, TrV 170: 1. Ruhe, meine Seele! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Lieder, Op. 27, TrV 170: 1. Ruhe, meine Seele! by Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Violin Concerto in D Minor, Op. 46: II. Andante sostenuto | Aram Khachaturian, David Oistrakh, Philharmonia Orchestra | C Major | 3 | 8B | 100 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Lakmé: Flower Duet (Dôme épais) | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | B Major | 2 | 1B | 106 BPM | ||
Lohengrin, WWV 75 / Act III: "Mein lieber Schwan!" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Waltraud Meier, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 117 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n" | Franz Schubert, Elly Ameling, Gewandhausorchester Leipzig, Kurt Masur | F Major | 0 | 7B | 76 BPM | ||
Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | D Major | 1 | 10B | 110 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Marie Theres'! Hab' mir's gelobt" (Octavian, Marschallin, Sophie) | Richard Strauss, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Herbert von Karajan, Philharmonia Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 8, Recitative, Aria "Was hast du an mir getan" (Die Witve, Elijah) | Felix Mendelssohn, Soile Isokoski, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Elektra: Iv. Ich kann nicht sitzen… | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM |
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