"The Canticle of the Sun: No. 19, "Laudate et benedicete mi Signore"" by Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble was released on January 1, 2009. The duration of The Canticle of the Sun: No. 19, "Laudate et benedicete mi Signore" is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. The Canticle of the Sun: No. 19, "Laudate et benedicete mi Signore"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sofia Gubaidulina, Pieter Wispelwey, Collegium Vocale Gent, Daniel Reuss's "Gubaidulina: The Canticle of the Sun, Preludes for Violoncello Solo & In Croce" album is number 19 out of 25. On top of that, Netherlands appears to be the country where this track was created. The Canticle of the Sun: No. 19, "Laudate et benedicete mi Signore" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Canticle of the Sun: No. 19, "Laudate et benedicete mi Signore" by Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Miniatures for Solo Violin: II. A Canon for Sally | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Trois Strophes sur le nom de Sacher: I. Un poco indeciso | Henri Dutilleux, Christian-Pierre La Marca | B♭ Major | 1 | 6B | 83 BPM | ||
7 Worte (7 Words): IV. Mein Gott, mein Gott, warum hast du mich verlassen? | Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Gothenburg Symphony Orchestra, Mario Venzago | A♭ Major | 1 | 4B | 65 BPM | ||
Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Jackson Pollock (1950-51) for two Cellos: V Painting on Glass | Morton Feldman, Lucas Fels, Tobias Moster | D Major | 0 | 10B | 154 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM |
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