Morton Feldman, Lucas Fels, Tobias Moster's 'Jackson Pollock (1950-51) for two Cellos: V Painting on Glass' came out on January 1, 2002. With Jackson Pollock (1950-51) for two Cellos: V Painting on Glass being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Morton Feldman, Ensemble Recherche's "Morton Feldman: Something Wild - Music for Film" album is number 7 out of 33. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Jackson Pollock (1950-51) for two Cellos: V Painting on Glass's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jackson Pollock (1950-51) for two Cellos: V Painting on Glass by Morton Feldman, Lucas Fels, Tobias Moster to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Echoes From Bali | Janet Beat | D Major | 4 | 10B | 96 BPM | ||
Concerto for Violin & Percussion Orchestra: III. Allegro, vigoroso, poco presto | Lou Harrison, Nicholas Kitchen, New England Conservatory Percussion Ensemble, Frank Epstein, Will McVay, Sean Van Winkle, Nathan Vendel, Luis Herrera Albertazi, Harrison Honor | B Minor | 4 | 10A | 151 BPM | ||
Semi-Simple Variations | Milton Babbitt, Robert Taub | B Major | 0 | 1B | 136 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
Clusters 1 | Meredith Monk | B Major | 0 | 1B | 97 BPM | ||
The Dorian Horizon for 17 Strings | Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Piano Quintet: V. Moderato pastorale | Alfred Schnittke, Roland Pöntinen, Tale Quartet | A♭ Major | 0 | 4B | 174 BPM | ||
The Companion Guide To Rome: II Benedetto | Andrew Norman, A Far Cry | G Major | 2 | 9B | 115 BPM |
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