- BPM
- 80
- Key
- F Major
- Camelot
- 7B
La Vida Breve, Act One, Tableau 1, Scene Two: Solo tengo dos cariños (Salud/La abuela) - Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia Information
- Acousticness
- 98%
- Danceability
- 25%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 45%
- Loudness
- 57%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -25.93 dB
Summary
"La Vida Breve, Act One, Tableau 1, Scene Two: Solo tengo dos cariños (Salud/La abuela)" by Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia was released on July 1, 1999. The duration of La Vida Breve, Act One, Tableau 1, Scene Two: Solo tengo dos cariños (Salud/La abuela) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. La Vida Breve, Act One, Tableau 1, Scene Two: Solo tengo dos cariños (Salud/La abuela)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel de Falla, Victoria de los Ángeles's "Manuel de Falla:La Vida Breve/El sombrero de tres picos etc" album is number 5 out of 65. La Vida Breve, Act One, Tableau 1, Scene Two: Solo tengo dos cariños (Salud/La abuela) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Vida Breve, Act One, Tableau 1, Scene Two: Solo tengo dos cariños (Salud/La abuela) BPM
We consider the tempo marking of La Vida Breve, Act One, Tableau 1, Scene Two: Solo tengo dos cariños (Salud/La abuela) by Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
La Vida Breve, Act One, Tableau 1, Scene Two: Solo tengo dos cariños (Salud/La abuela) Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | |
 | Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | |
 | The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | |
 | Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | |
 | Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | |
 | Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | |
 | Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9368081092834473
End: 0.9405264854431152