"Messiaen: Vingt Regards sur l'Enfant-Jésus: No. 10, Regard de l'Esprit de joie" by Olivier Messiaen, Bertrand Chamayou was released on June 3, 2022. Since Messiaen: Vingt Regards sur l'Enfant-Jésus: No. 10, Regard de l'Esprit de joie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Bertrand Chamayou's "Messiaen: Vingt Regards sur l'Enfant-Jésus" album is number 13 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Messiaen: Vingt Regards sur l'Enfant-Jésus: No. 10, Regard de l'Esprit de joie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiaen: Vingt Regards sur l'Enfant-Jésus: No. 10, Regard de l'Esprit de joie by Olivier Messiaen, Bertrand Chamayou to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire: XI. Recit evangelique (Live) | Olivier Messiaen, Bavarian Radio Chorus, Howard Arman, Bavarian Radio Symphony Orchestra, Kent Nagano | B Major | 0 | 1B | 171 BPM | ||
String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo) | Ludwig van Beethoven, Emerson String Quartet | E Major | 1 | 12B | 81 BPM | ||
Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Four Pieces for Clarinet and Piano, Op.5: 3. Sehr rasch | Alban Berg, Sabine Meyer, Oleg Maisenberg | C Major | 0 | 8B | 67 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Vladimir Horowitz | B Minor | 0 | 10A | 76 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | A Minor | 0 | 8A | 137 BPM | ||
Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Nocturnes, L.91: III. Sirènes | Claude Debussy, Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus | F♯ Major | 0 | 2B | 81 BPM |
Section: 0.5946698188781738
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