"Shostakovich: Tahiti Trot, Op. 16 (Orchestration of "Tea for Two")" by Vincent Youmans, Philadelphia Orchestra, Mariss Jansons had its release date on 1997. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Shostakovich: Symphony No. 11 "The Year 1905", Jazz Suites & Tahiti Trot". In this album, this song's track order is #9. Shostakovich: Tahiti Trot, Op. 16 (Orchestration of "Tea for Two") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich: Tahiti Trot, Op. 16 (Orchestration of "Tea for Two") by Vincent Youmans, Philadelphia Orchestra, Mariss Jansons having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | C Minor | 0 | 5A | 72 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Story Begins | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | G Major | 2 | 9B | 100 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: I. Einleitung (Live) | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | A Major | 4 | 11B | 118 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) | Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra | D Major | 4 | 10B | 143 BPM | ||
Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins | Claude Debussy, London Symphony Orchestra, Pierre Monteux | F Minor | 1 | 4A | 79 BPM |