"Marina - No Sabes Tu Que Yo Tenia Terceto Pt 1" by Miguel Fleta was released on February 13, 2017. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 43 in Classics by Miguel Fleta, Vol. 2 by Miguel Fleta. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Marina - No Sabes Tu Que Yo Tenia Terceto Pt 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Marina - No Sabes Tu Que Yo Tenia Terceto Pt 1 by Miguel Fleta is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Rosalinda - digitally remastered original | Tito Schipa | G Major | 1 | 9B | 0 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Dice la Gente del Barrio (Introduccion y Presentacion de Ascension) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | G Major | 2 | 9B | 72 BPM | ||
La Verbena de la Paloma: Seguidillas | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | A Major | 3 | 11B | 82 BPM | ||
La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
Il barbiere di Siviglia / Act 1: "Se il mio nome saper voi bramate" - "Oh cielo!" (Conte, Rosina, Figaro / Conte, Figaro) | Gioachino Rossini, Nicola Monti, Gianna D'Angelo, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | C Major | 1 | 8B | 102 BPM | ||
Siempre Que Te Ahogue una Pena / Tantos Desprecios Me Das - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 87 BPM | ||
Ti voglio tanto bene | Beniamino Gigli | D Major | 3 | 10B | 92 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM |
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