"Dice la Gente del Barrio (Introduccion y Presentacion de Ascension)" by Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid was released on November 20, 2015. Dice la Gente del Barrio (Introduccion y Presentacion de Ascension) is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Anselmo Carreno, Francisco Maroto, Enrique Fuentes, José Marín's "La del Manojo de Rosas" album is number 1 out of 11. On top of that, Spain appears to be the country where this track was created. Dice la Gente del Barrio (Introduccion y Presentacion de Ascension) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dice la Gente del Barrio (Introduccion y Presentacion de Ascension) by Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Verbena de la Paloma: Seguidillas | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | A Major | 3 | 11B | 82 BPM | ||
Moreno Tiene Que Ser | Antoñita Moreno | F Major | 5 | 7B | 101 BPM | ||
Gigantes y Cabezudos | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | E Major | 4 | 12B | 111 BPM | ||
Avelino | Banda Sinfónica Municipal de Madrid, Enrique García Asensio | G Major | 2 | 9B | 113 BPM | ||
Mírate en el espejo | Ofelia Nieto, Carlos Galeffi | E Major | 4 | 12B | 139 BPM | ||
Tordesillas | Nuevo Mester Juglaria | B Major | 5 | 1B | 80 BPM | ||
Échale Guindas al Pavo | Imperio Argentina | D Minor | 5 | 7A | 121 BPM | ||
A la Virgen de la Paloma, De Madrid: Tonadilla por Panaderos (Vendo Nardos y Violetas) | Luisa de Córdoba, Rocío Herrero, Aureo Herrero | E Major | 1 | 12B | 89 BPM | ||
Romería en Guadalupe (De Extremadura) | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría, Coro Cantores de Madrid, Julian Perera, Rondalla Popular de Madrid | A Major | 4 | 11B | 111 BPM | ||
Cielito Lindo | Tuna Universitaria De Madrid | C Major | 6 | 8B | 100 BPM |
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