Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría, Coro Cantores de Madrid, Julian Perera, Rondalla Popular de Madrid made "Romería en Guadalupe (De Extremadura)" available on May 15, 2011. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Coro Cantores de Madrid, Rondalla Popular de Madrid, Orquesta de Conciertos de Madrid's "Jotas de España" album is number 9 out of 11. In terms of popularity, Romería en Guadalupe (De Extremadura) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Romería en Guadalupe (De Extremadura) by Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría, Coro Cantores de Madrid, Julian Perera, Rondalla Popular de Madrid to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romería en Guadalupe (De Extremadura) | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría, Coro Cantores de Madrid, Julian Perera, Rondalla Popular de Madrid | A Major | 4 | 11B | 111 BPM | ||
Conoció a España Sin Verla / Fui Malo Pero Soy Bueno (feat. Rondalla) | José Oto, Rondalla | C Major | 2 | 8B | 88 BPM | ||
Falla: La vida breve, Act II, Cuadro I: Danza española | Manuel de Falla, Rafael Frühbeck de Burgos, Lucero Tena, Orquesta Nacional De España | A Minor | 3 | 8A | 105 BPM | ||
No Cortes Más Que una Rosa (Romanza de Ascension) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | E Major | 6 | 12B | 154 BPM | ||
El Cordobés | Banda Orquesta La Maestranza | D Minor | 2 | 7A | 111 BPM | ||
Pasacalle de los nardos (remastered) | Orquesta Sinfonica, Maestro Cisneros | E Major | 4 | 12B | 131 BPM | ||
Boleras de la Cachucha | Traditional, Lucero Tena, Orquesta de Conciertos de Madrid | A♭ Major | 7 | 4B | 91 BPM | ||
Ansiedad | Orquesta Sinfónica Venezuela | D♭ Minor | 7 | 12A | 165 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
The Haunting Hour | Emiliano Branda | B♭ Major | 2 | 6B | 151 BPM |
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