Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari made "La Verbena de la Paloma: Seguidillas" available on January 22, 2019. The duration of La Verbena de la Paloma: Seguidillas is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. La Verbena de la Paloma: Seguidillas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tomás Bretón, Various Artists's "La verbena de la paloma (Zarzuela en un acto)" album is number 4 out of 9. La Verbena de la Paloma: Seguidillas is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La Verbena de la Paloma: Seguidillas by Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM | ||
Bombones de Viena | Gran Orquesta Vienesa | F Major | 4 | 7B | 182 BPM | ||
Los gavilanes, Acto I: No hay por qué gemir | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | F Major | 2 | 7B | 107 BPM | ||
La Rosa del Azafrán: "Sagrario y Juan Pedro (2)" | Coros Cantores De Madrid, Teresa Berganza, Manuel Ausensi | D♭ Major | 4 | 3B | 100 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | D Major | 1 | 10B | 132 BPM | ||
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
La Canción del Olvido: "Canción de Rosina" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | G Major | 2 | 9B | 106 BPM | ||
El Año Pasado por Agua: "Vals: De los Mares Rey Me Llaman" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | B♭ Major | 4 | 6B | 96 BPM | ||
El Cantar del Organillo: "Romanza de Carmela" | Marianela Barandalla | E Major | 6 | 12B | 154 BPM | ||
Agüero | Banda Sinfónica Municipal de Madrid, Enrique García Asensio | B♭ Minor | 2 | 3A | 107 BPM |
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