"These things shall be: These Things Shall Be" by John Ireland, Richard Hickox, London Symphony Orchestra, Bryn Terfel, London Symphony Chorus was released on September 1, 1990. These things shall be: These Things Shall Be appears to be safe for all ages as it is not explicit. The track order of this song in John Ireland, Richard Hickox, London Symphony Orchestra, Bryn Terfel, Paula Bott, Teresa Shaw, James Oxley, Roderick elms, London Symphony Chorus's "Ireland: Orchestral Works" album is number 2 out of 6. On top of that, United Kingdom appears to be the country where this track was created. These things shall be: These Things Shall Be is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of These things shall be: These Things Shall Be by John Ireland, Richard Hickox, London Symphony Orchestra, Bryn Terfel, London Symphony Chorus to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 82 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Weep, Oh Mine Eyes | John Bennet, Grex Vocalis, Carl Høgset | B♭ Minor | 1 | 3A | 87 BPM | ||
Great Things | John Ireland, Roderick Williams, Iain Burnside | C Major | 1 | 8B | 71 BPM | ||
The Land of Lost Content: No. 2. Ladslove (arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | A♭ Major | 0 | 4B | 78 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
The Three Ravens (arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | E Minor | 0 | 9A | 81 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM |
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