"Млада, действие III сцена 4: Явление царицы Клеопатры" by Большой хор Всесоюзного радио и Центрального телевидения, Yevgeny Svetlanov, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения was released on January 1, 2011. Since Млада, действие III сцена 4: Явление царицы Клеопатры is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Римский-Корсаков: Млада, so we believe that "Млада, действие III сцена 4: Явление царицы Клеопатры" is a single. Млада, действие III сцена 4: Явление царицы Клеопатры is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Млада, действие III сцена 4: Явление царицы Клеопатры by Большой хор Всесоюзного радио и Центрального телевидения, Yevgeny Svetlanov, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Свершилось! | Виктор Селиванов, Большой хор Всесоюзного радио и Центрального телевидения, Юрий Силантьев, Эстрадно-симфонический оркестр Всесоюзного радио и телевидения | B♭ Major | 4 | 6B | 120 BPM | ||
Zaporozky-March | The Central Army Band of Ukraine, Vasili Gul’ko, O. Morozov | A♭ Major | 3 | 4B | 113 BPM | ||
Miserere in F Minor: Asperges me hyssopo (Soprano) | Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci | C Major | 1 | 8B | 117 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Млада, действие I сцена 4: Сны Яромира "Прекрасна ты" | Владимир Махов, Большой хор Всесоюзного радио и Центрального телевидения, Yevgeny Svetlanov, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения | D Major | 1 | 10B | 108 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
Гандзя | Національний український народний хор ім. Григория Верьовки | E♭ Major | 3 | 5B | 176 BPM | ||
Bozhe tsaria hrani (God, save the Tsar!) | Alexey Fyodorovich Lvov, Valaam Singing Culture Institute Men's Choir, Igor Ushakov | A♭ Major | 3 | 4B | 79 BPM | ||
Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | E Minor | 6 | 9A | 105 BPM |
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