On January 1, 2009, the song "Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards" was released by Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra. The duration of Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards is about 3 minutes long, at 3:08. Based on our data, "Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra's "Karen Khachaturian: Cipollino" album is number 13 out of 41. In terms of popularity, Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cipollino, Act I Scene 2: Entry of the Tomato and Two Guards - Encounter of the Tomato and Cipollino Dance of Cipollino - Tomato and Guards by Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
世界名曲:土耳其進行曲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 4 | 6B | 118 BPM | ||
Sorochinsky Fair: Gopak | David Measham, West Australian Symphony Orchestra | G Major | 2 | 9B | 116 BPM | ||
Suite for String Orchestra, JW6 No. 2: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 1 | 9B | 93 BPM | ||
Die Puppenfee (The Fairy Doll): No. 20 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 154 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Minor | 3 | 5A | 79 BPM | ||
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
Frühlingsbotschaft, Op. 114 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM |
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