"Recitativo (Primo e Secondo Giudice, Testo)" by Alessandro Stradella, Roberto Balconi, Luca Dordolo, Matteo Bellotto, Ensemble Aurora, Enrico Gatti was released on June 26, 2020. The duration of Recitativo (Primo e Secondo Giudice, Testo) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Recitativo (Primo e Secondo Giudice, Testo)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alessandro Stradella, Emanuela Galli, Ensemble Aurora, Enrico Gatti's "La Susanna" album is number 14 out of 48. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Recitativo (Primo e Secondo Giudice, Testo)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recitativo (Primo e Secondo Giudice, Testo) by Alessandro Stradella, Roberto Balconi, Luca Dordolo, Matteo Bellotto, Ensemble Aurora, Enrico Gatti to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Ah! Troppo è ver, GM 1.5 1: XVI. Sinfonia (2) | Alessandro Stradella, Enrico Gatti, Orchestra barocca della civica scuola di musica di Milano, Guido Morini, Mara Galassi | D♭ Major | 3 | 3B | 84 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Ouverture "La Bizarre", en Sol Majeur: Ouverture "La Bizarre", en Sol Majeur: VI. Fantaisie | Georg Philipp Telemann, Akademie für Alte Musik Berlin | F♯ Major | 3 | 2B | 128 BPM | ||
Hasse: Orfeo: "Sempre a si vaghi rai" (Orfeo) | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 176 BPM | ||
Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM |
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