John Garth, Gary Cooper, The Avison Ensemble's ' "Keyboard Sonata in G Major, Op. 2, No. 1: II. Rondeau: Allegro" was released on its scheduled release date, May 6, 2014. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Garth, The Avison Ensemble's "Garth: Accompanied Keyboard Sonatas, Opp. 2 & 4" album is number 2 out of 24. In terms of popularity, Keyboard Sonata in G Major, Op. 2, No. 1: II. Rondeau: Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Keyboard Sonata in G Major, Op. 2, No. 1: II. Rondeau: Allegro by John Garth, Gary Cooper, The Avison Ensemble to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata: No. 1 in D Minor “The Annunciation”: I. Praeludium | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Ayres for the Violin, books 1 & 4: Grave | Nicola Matteis, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Concerti a più istrumenti in G Major, Op. 6 No. 5, II. Aria | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio | George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner | D♭ Major | 2 | 3B | 89 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: IV. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 3 | 12A | 120 BPM | ||
Violin Concerto in D Major, Op. 3, No. 3: I. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 1 | 10B | 125 BPM | ||
Trio Sonata in A Major, A02: II. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 1 | 4B | 79 BPM | ||
Sonata in F Major, No. 4: III. Vivace | Arcangelo Corelli, Dénes Kovács, Ede Banda, Janos Sebestyen | E Minor | 1 | 9A | 125 BPM | ||
Dido and Aeneas, Z. 626: Act II Scene 1: Prelude for the Witches | Henry Purcell, Kirsten Flagstad, Elisabeth Schwarzkopf, Eilidh McNab, Arda Mandikian, Sheila Rex, Anna Pollak, Thomas Hemsley, David Lloyd, Mermaid Singers, Mermaid Orchestra, Geraint Jones | B♭ Major | 1 | 6B | 93 BPM |