Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß"
Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe
J.S. Bach: Matthäus-Passion BWV 244
5:39 1999
BPM
72
Key
B♭ Major
Camelot
6B

Embed

Share Link

Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß" - Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe Information

Acousticness
97%
Danceability
29%
Energy
16%
Instrumentalness
14%
Liveness
11%
Loudness
66%
Speechiness
4%
Valence
14%
Popularity
Loudness
-20.215 dB

Summary

"Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß"" by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe was released on 1999. Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß" is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 29 out of 68. On top of that, France appears to be the country where this track was created. Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß" BPM

We consider the tempo marking of Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß" by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Matthäus-Passion, BWV 244, Erster Teil: 29. Choral "O Mensch, bewein' dein Sünde groß" Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht by Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan LeusinkIII. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins GerichtHolland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan LeusinkF♯ Minor211A89 BPM
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester"Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Matthias Goerne, Concentus Musicus WienD♭ Minor112A93 BPM
Gloria: Domine Deus, Agnus Dei by Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerGloria: Domine Deus, Agnus DeiAntonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD♭ Minor012A179 BPM
Pergolesi: Laudate pueri: VI. Gloria Patri by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Laudate pueri: VI. Gloria PatriGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiD Major110B71 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
St. John Passion, BWV 245: Part II: Aria: Betrachte, meine Seel (Bass) by Johann Sebastian Bach, Sabine Götz, Amaryllis Dieltiens, Elisabeth Popien, Alexander Schneider, Hans-Jörg Mammel, Georg Poplutz, Wolf Matthias Friedrich, Markus Flaig, Cantus Cölln, Michael Schmidt-Casdorff, Ingo Nelken, Katharina Spreckelsen, Henriette Boehm, Karin Gemeinhardt, Ursula Bundies, Anne Harer, Mieneke van der Velden, Maya Amrein, Matthias Müller, Carsten Lohff, Konrad JunghanelSt. John Passion, BWV 245: Part II: Aria: Betrachte, meine Seel (Bass)Johann Sebastian Bach, Sabine Götz, Amaryllis Dieltiens, Elisabeth Popien, Alexander Schneider, Hans-Jörg Mammel, Georg Poplutz, Wolf Matthias Friedrich, Markus Flaig, Cantus Cölln, Michael Schmidt-Casdorff, Ingo Nelken, Katharina Spreckelsen, Henriette Boehm, Karin Gemeinhardt, Ursula Bundies, Anne Harer, Mieneke van der Velden, Maya Amrein, Matthias Müller, Carsten Lohff, Konrad JunghanelD Major110B141 BPM
Johannes Passion Bwv 245: Chorale: Ach Grosser König by Choir of King's College, Cambridge, Paul Agnew, Michael Chance, Catherine Bott, Stephan Varcoe, Johann Sebastian Bach, Stephan Richardson Christus, John Mark Ainsley Evangelist, Stephan CleoburyJohannes Passion Bwv 245: Chorale: Ach Grosser KönigChoir of King's College, Cambridge, Paul Agnew, Michael Chance, Catherine Bott, Stephan Varcoe, Johann Sebastian Bach, Stephan Richardson Christus, John Mark Ainsley Evangelist, Stephan CleoburyA♭ Major14B74 BPM
Lagrime di San Pietro: Ma gli archi, LV 1006 by Orlande de Lassus, Ensemble Vocal Européen, Philippe HerrewegheLagrime di San Pietro: Ma gli archi, LV 1006Orlande de Lassus, Ensemble Vocal Européen, Philippe HerrewegheD Minor17A92 BPM
Vivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentes by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen CleoburyVivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentesAntonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen CleoburyF♯ Minor211A131 BPM
5 Little Preludes, BWV 939-943: Prelude In A Minor, BWV 942 by Janos Sebestyen, Johann Sebastian Bach5 Little Preludes, BWV 939-943: Prelude In A Minor, BWV 942Janos Sebestyen, Johann Sebastian BachA Minor18A117 BPM
ISRC
FRZ149809290
Label
L-M Records/RCA Records

Section: 0.5592222213745117

End: 0.563990592956543