"Lagrime di San Pietro: Ma gli archi, LV 1006" by Orlande de Lassus, Ensemble Vocal Européen, Philippe Herreweghe was released on June 21, 1993. The duration of Lagrime di San Pietro: Ma gli archi, LV 1006 is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Lagrime di San Pietro: Ma gli archi, LV 1006's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orlande de Lassus, Ensemble Vocal Européen, Philippe Herreweghe's "Lassus: Lagime di San Pietro" album is number 2 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Lagrime di San Pietro: Ma gli archi, LV 1006 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime di San Pietro: Ma gli archi, LV 1006 by Orlande de Lassus, Ensemble Vocal Européen, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Selig sind die Toten, Op. 11, No. 23, SWV 391 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 67 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Sicut Cervus | The Cathedral Singers | A Major | 3 | 11B | 78 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Glory (Quiet) | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | F♯ Minor | 0 | 11A | 81 BPM |
Section: 0.5772373676300049
End: 0.5812158584594727