"Lux aeterna: III. O nata lux" by Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt was released on October 26, 2018. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt's "Light Eternal – The Choral Music of Morten Lauridsen" album is number 3 out of 17. Based on our statistics, Lux aeterna: III. O nata lux's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lux aeterna: III. O nata lux by Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Tuba, Strings and Percussion: III. Allegro assai | David Fontanesi, I Virtuosi Italiani, Alberto Martini, Stefano Ammannati | D Minor | 1 | 7A | 115 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Lauridsen: O magnum mysterium | Morten Lauridsen, Maitrise Notre-Dame De Paris, Henri Chalet | D Major | 0 | 10B | 137 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Sanctus | Chamber Choir Of Europe, Isabelle Müller-Kant, Württembergische Philharmonie Reutlingen, Anton Bruckner, Eibe Möhlmann, Reinhard Geller, Daniel Sans, Christof Fischesser, Nicol Matt | D Major | 2 | 10B | 81 BPM | ||
Where All Roses Go | Michael McGlynn, Apollo5 | B Minor | 1 | 10A | 73 BPM | ||
Messa Arcaica: Agnus Dei | Franco Battiato, Akemi Sakamoto, Athestis Chorus Di Padova, Filippo Destrieri, I Virtuosi Italiani, Antonio Ballista | A♭ Minor | 1 | 1A | 69 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM |
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