"Ave Maria sur la Méditation de Thaïs: Andante religioso "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir and Orchestra)" by Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Orchestra del Teatro Carlo Felice, Jochen Rieder was released on January 19, 2024. The duration of Ave Maria sur la Méditation de Thaïs: Andante religioso "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir and Orchestra) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Ave Maria sur la Méditation de Thaïs: Andante religioso "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Massenet: Ave Maria sur la Méditation de Thaïs: Andante religioso "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir and Orchestra) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Ave Maria sur la Méditation de Thaïs: Andante religioso "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir and Orchestra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria sur la Méditation de Thaïs: Andante religioso "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir and Orchestra) by Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Orchestra del Teatro Carlo Felice, Jochen Rieder to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Le siège de Corinthe, IGR 62, Atto I: Depuis long-temps du vainqueur de Bysance | Orchestra del Teatro Carlo Felice, Coro del Teatro Carlo Felice, Paolo Olmi, Dano Raffanti, Maurizio Comencini, Armando Caforio | C Major | 0 | 8B | 141 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Romance "L'âme évaporée" | Claude Debussy, Susan Manoff, Sandrine Piau | B Minor | 0 | 10A | 171 BPM | ||
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM | ||
Die Rose von Jericho: Der Wind | Linard Bardil, Jochen Rieder, Tonhalle-Orchester Zürich | F Minor | 2 | 4A | 88 BPM | ||
Turandot, Act III: Tanto amore, segreto e inconfessato (Live) | Giacomo Puccini, Roberta Canzian, Mario Malagnini, Coro della Fondazione Teatro Carlo Felice, Donato Renzetti, Orchestra del Teatro Carlo Felice | G Minor | 0 | 6A | 95 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Buddha Passion, Act I "The Bodhi Tree": Equality | Tan Dun, Internationale Chorakademie, Orchestre National De Lyon | G Minor | 1 | 6A | 78 BPM | ||
L’invitation au voyage | Henri Duparc, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM |
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