"Preludes for Solo Double Bass: Senza arco" by Sofia Gubaidulina, Daniele Roccato was released on October 25, 2013. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sofia Gubaidulina, Daniele Roccato's "Gubaidulina: In Croce" album is number 12 out of 12. On top of that, Germany appears to be the country where this track was created. Preludes for Solo Double Bass: Senza arco is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preludes for Solo Double Bass: Senza arco by Sofia Gubaidulina, Daniele Roccato to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turangalîla-Symphony: X. Final. Modéré, presque vif, avec une grande joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Ligeti : Requiem : IV Lacrimosa | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 0 | 3B | 147 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: IV. Adagio | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
3 Pieces for String Quartet: No. 3 | Igor Stravinsky, Goldner String Quartet | A♭ Major | 0 | 4B | 87 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM |
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