"Ligeti : Requiem : IV Lacrimosa" by György Ligeti, Jonathan Nott, Berliner Philharmoniker was released on April 1, 2003. Ligeti : Requiem : IV Lacrimosa is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in György Ligeti, Jonathan Nott, Berliner Philharmoniker's "Ligeti : Project Vol.4 - Hamburg Concerto, Double Concerto, Requiem & Ramifications" album is number 14 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ligeti : Requiem : IV Lacrimosa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ligeti : Requiem : IV Lacrimosa by György Ligeti, Jonathan Nott, Berliner Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia For 8 Voices And Orchestra: 1. | Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices | D♭ Major | 1 | 3B | 74 BPM | ||
The Planets, Op. 32: 7. Neptune, the Mystic | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan, RIAS Kammerchor | A♭ Minor | 0 | 1A | 58 BPM | ||
Messa da Requiem: II. Dies irae | Giuseppe Verdi, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 77 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Symphony In 3 Movements: 3. Con Moto | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | C Major | 1 | 8B | 80 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Symphony No.5 In C Minor, Op.67: 2. Andante con moto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 81 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Così fan tutte, K. 588 (Excerpts): Ei parte... Senti... Ah no! | Wolfgang Amadeus Mozart, Lorenzo Da Ponte, Elisabeth Grümmer, Berliner Philharmoniker, Wilhelm Schüchter | G Minor | 3 | 6A | 111 BPM |
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