Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse's 'Orff: Carmina Burana, Conclusion, Fortuna Imperatrix Mundi: O Fortuna' came out on November 10, 2017. The duration of Orff: Carmina Burana, Conclusion, Fortuna Imperatrix Mundi: O Fortuna is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Orff: Carmina Burana, Conclusion, Fortuna Imperatrix Mundi: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Michel Plasson's "Légendes, les musiques enchantées" album is number 1 out of 38. On top of that, France appears to be the country where this track was created. In terms of popularity, Orff: Carmina Burana, Conclusion, Fortuna Imperatrix Mundi: O Fortuna is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Orff: Carmina Burana, Conclusion, Fortuna Imperatrix Mundi: O Fortuna by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 1 | 9B | 154 BPM | ||
On the Beautiful Blue Danube, Op. 314 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | D Major | 0 | 10B | 94 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (Choeurs/Enfants) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | D♭ Minor | 2 | 12A | 93 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Major | 3 | 9B | 77 BPM | ||
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | G Major | 4 | 9B | 152 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM |
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