- BPM
- 77
- Key
- G Major
- Camelot
- 9B
The Planets, Op. 32: 1. Mars, the Bringer of War - Gustav Holst, Los Angeles Philharmonic, Zubin Mehta Information
- Acousticness
- 69%
- Danceability
- 29%
- Energy
- 32%
- Instrumentalness
- 92%
- Liveness
- 12%
- Loudness
- 75%
- Speechiness
- 3%
- Valence
- 9%
- Popularity
- 42%
- Loudness
- -14.707 dB
Summary
"The Planets, Op. 32: 1. Mars, the Bringer of War" by Gustav Holst, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 1997. Since The Planets, Op. 32: 1. Mars, the Bringer of War is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Los Angeles Philharmonic, Zubin Mehta, Gustav Holst, John Williams, Richard Strauss's "Holst: The Planets / John Williams: Star Wars Suite / Strauss, R.: Also sprach Zarathustra" album is number 1 out of 23. On top of that, United Kingdom appears to be the country where this track was created. The Planets, Op. 32: 1. Mars, the Bringer of War is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Planets, Op. 32: 1. Mars, the Bringer of War BPM
We consider the tempo marking of The Planets, Op. 32: 1. Mars, the Bringer of War by Gustav Holst, Los Angeles Philharmonic, Zubin Mehta to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The Planets, Op. 32: 1. Mars, the Bringer of War Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | |
 | Close Encounters of the Third Kind - Suite | John Williams, Los Angeles Philharmonic, Zubin Mehta | B Major | 2 | 1B | 86 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Var. 18. Andante cantabile | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D♭ Major | 1 | 3B | 82 BPM | |
| L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | |
 | Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | |
 | Carmina Burana: Fortune plango vulnera | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B♭ Major | 2 | 6B | 134 BPM | |
 | The Four Seasons: Concerto No. 2 in G Minor, RV 315 "L'estate" (summer): III. Presto | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Major | 5 | 9B | 157 BPM | |
 | English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | |
 | The Snowstorm: IX. Winter road | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | G Minor | 1 | 6A | 108 BPM | |
 | The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Major | 3 | 9B | 58 BPM |
- ISRC
- GBF077110641
- Label
- L-M Records/RCA Records
Section: 0.729921817779541
End: 0.7356116771697998