- BPM
- 82
- Key
- A♭ Minor
- Camelot
- 1A
Missa "Mille Regretz": "Emendemus In Melius" (Morales) - The Hilliard Ensemble Information
- Acousticness
- 99%
- Danceability
- 8%
- Energy
- 7%
- Instrumentalness
- 5%
- Liveness
- 9%
- Loudness
- 57%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -25.985 dB
Summary
"Missa "Mille Regretz": "Emendemus In Melius" (Morales)" by The Hilliard Ensemble was released on January 1, 1997. With this song being about 5 minutes long, at 5:00, "Missa "Mille Regretz": "Emendemus In Melius" (Morales)" by The Hilliard Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 16 in Cristóbal de Morales: Missa Mille Regretz by The Hilliard Ensemble. Missa "Mille Regretz": "Emendemus In Melius" (Morales) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa "Mille Regretz": "Emendemus In Melius" (Morales) BPM
The tempo marking of Missa "Mille Regretz": "Emendemus In Melius" (Morales) by The Hilliard Ensemble is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Missa "Mille Regretz": "Emendemus In Melius" (Morales) Key
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cantata, BWV 136: Auf Meinen Lieben Gott | Johann Sebastian Bach, The Hilliard Ensemble, Christoph Poppen | A♭ Minor | 1 | 1A | 79 BPM | |
 | Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | |
 | In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | |
 | Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | |
 | Parce Mihi Domine - Var. 1 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 0 | 6B | 144 BPM | |
 | Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | |
 | Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | |
 | Mundus vergens | The Hilliard Ensemble | E Major | 2 | 12B | 130 BPM | |
 | O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | |
 | Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9067492485046387
End: 0.9130465984344482