"Asciugate i begli occhi, madrigal for 5 voices (Book 5), W. 5/57" by Carlo Gesualdo, Rinaldo Alessandrini, Concerto Italiano was released on December 30, 1999. With this song being about 5 minutes long, at 4:33, "Asciugate i begli occhi, madrigal for 5 voices (Book 5), W. 5/57" by Carlo Gesualdo, Rinaldo Alessandrini, Concerto Italiano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carlo Gesualdo's "Gesualdo: O Dolorosa Gioia" album is number 11 out of 17. Asciugate i begli occhi, madrigal for 5 voices (Book 5), W. 5/57 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Asciugate i begli occhi, madrigal for 5 voices (Book 5), W. 5/57 by Carlo Gesualdo, Rinaldo Alessandrini, Concerto Italiano to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Gelo ha Madonna il seno | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | G Major | 1 | 9B | 106 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Itene, o miei sospiri (Arr. for 2 Pianos) | Jenny Lin, Carlo Gesualdo, Uri Caine | B♭ Major | 2 | 6B | 91 BPM |
Section: 0.518085241317749
End: 0.5213723182678223