"L'elisir d'amore / Act 2: "Una furtiva lagrima" (Adapt. For Cello And Orchestra)" by Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on June 5, 2020. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Voice Of Hope by Camille Thomas, Brussels Philharmonic, Stéphane Denève, Mathieu Herzog. The song's track number on the album is #13 out of 16 tracks. In terms of popularity, L'elisir d'amore / Act 2: "Una furtiva lagrima" (Adapt. For Cello And Orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L'elisir d'amore / Act 2: "Una furtiva lagrima" (Adapt. For Cello And Orchestra) by Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L'elisir d'amore / Act 2: "Una furtiva lagrima" (Adapt. For Cello And Orchestra) being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Zweiter Akt, zweite Szene: - Freudigen Jubelruf laßt heut' erklingen (Chor) | Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Gottlob Frick/Chor der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | D♭ Major | 4 | 3B | 169 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Rachmaninov: 12 Songs, Op. 21 - Arr. By Michael Rot: 7. Zdes′ khorosho | Sergei Rachmaninoff, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 78 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Che fia?... Suonar di giubilo" (Lucia, Enrico) | Gaetano Donizetti, Maria Callas, Orchestra del Maggio Musicale Fiorentino, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 5: Qui buon Antonio, qui soli | Gaetano Donizetti, Michele Pertusi, Vittorio Prato, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM |
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