"7 Magnificat-Antiphonen: No. 7, O Immanuel" by Arvo Pärt, Estonian Philharmonic Chamber Choir, Kaspars Putniņš was released on June 4, 2021. The duration of 7 Magnificat-Antiphonen: No. 7, O Immanuel is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. 7 Magnificat-Antiphonen: No. 7, O Immanuel's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schnittke & Pärt: Choral Works (2)". In this album, this song's track order is #14. The popularity of 7 Magnificat-Antiphonen: No. 7, O Immanuel is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Magnificat-Antiphonen: No. 7, O Immanuel by Arvo Pärt, Estonian Philharmonic Chamber Choir, Kaspars Putniņš having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem canticorum: De profundis | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | A Minor | 0 | 8A | 80 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Veni creator | Arvo Pärt, Theatre Of Voices, Ars Nova Copenhagen, Christopher Bowers-Broadbent, Paul Hillier | G Major | 1 | 9B | 84 BPM | ||
Nunc dimittis | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | A♭ Major | 0 | 4B | 75 BPM | ||
4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | F♯ Major | 0 | 2B | 78 BPM | ||
Darkwood 1 | David Darling | F Minor | 0 | 4A | 172 BPM |
Section: 0.6541414260864258
End: 0.6587333679199219