"Peter Grimes Op. 33, ACT 1 Scene 1: Hi! Give us a hand (Peter/Boles/Balstrode/Ned/Auntie/Hobson)" by Benjamin Britten, Anthony Rolfe Johnson, Thomas Allen, Patricia Payne, Stuart Kale, Simon Keenlyside, David Wilson-Johnson, Bernard Haitink, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden had its release date on 1993. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 45 in Britten: Peter Grimes by Benjamin Britten, Bernard Haitink. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Peter Grimes Op. 33, ACT 1 Scene 1: Hi! Give us a hand (Peter/Boles/Balstrode/Ned/Auntie/Hobson) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes Op. 33, ACT 1 Scene 1: Hi! Give us a hand (Peter/Boles/Balstrode/Ned/Auntie/Hobson) by Benjamin Britten, Anthony Rolfe Johnson, Thomas Allen, Patricia Payne, Stuart Kale, Simon Keenlyside, David Wilson-Johnson, Bernard Haitink, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Crisantemi for string orchestra | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | F♯ Minor | 0 | 11A | 101 BPM | ||
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony | Henry Purcell, English Chamber Orchestra, Benjamin Britten | D Major | 3 | 10B | 81 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM | ||
O Waly Waly | Traditional, Sir Peter Pears, Benjamin Britten | A Major | 0 | 11B | 86 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM |