"Piano Concerto No.2 in C minor, Op.18: 1. Moderato" by Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn was released on January 1, 1972. Piano Concerto No.2 in C minor, Op.18: 1. Moderato appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Rachmaninov: Piano Concertos Nos. 1-4". In this album, this song's track order is #4. Piano Concerto No.2 in C minor, Op.18: 1. Moderato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No.2 in C minor, Op.18: 1. Moderato by Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Violin Concerto in D Minor, Op. 47: I. Allegro moderato | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 136 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | D Minor | 1 | 7A | 97 BPM | ||
Chant du Ménestrel, Op. 71 | Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 82 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Bruch: Violin Concerto No. 3 in D Minor, Op. 58: III Finale. Allegro molto | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | ||
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. Tema con variazione. Andantino | Franz Schubert, Alban Berg Quartett, Elisabeth Leonskaja, Georg Hortnagel | G Major | 2 | 9B | 137 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Minor | 3 | 8A | 121 BPM | ||
L'Arlésienne Suite No. 1: Carillon | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | E Major | 0 | 12B | 101 BPM |
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