- BPM
- 99
- Key
- D Major
- Camelot
- 10B
Massenet: Thaïs, Act II: Méditation - Jules Massenet, Sarah Chang, Plácido Domingo, Berliner Philharmoniker Information
- Acousticness
- 80%
- Danceability
- 16%
- Energy
- 12%
- Instrumentalness
- 73%
- Liveness
- 14%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 18%
- Loudness
- -19.993 dB
Summary
"Massenet: Thaïs, Act II: Méditation" by Jules Massenet, Sarah Chang, Plácido Domingo, Berliner Philharmoniker was released on September 1, 2001. Massenet: Thaïs, Act II: Méditation is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 6 out of 11 in Fire & Ice: Popular Works for Violin and Orchestra by Sarah Chang, Plácido Domingo, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Massenet: Thaïs, Act II: Méditation is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Massenet: Thaïs, Act II: Méditation BPM
The tempo marking of Massenet: Thaïs, Act II: Méditation by Jules Massenet, Sarah Chang, Plácido Domingo, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Massenet: Thaïs, Act II: Méditation Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 82 BPM | |
 | Symphony No. 9 in E minor, Op. 95 "From the New World": 2. Largo - Extract | Antonín Dvořák, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 0 | 3B | 61 BPM | |
 | Ein Sommernachtstraum (A Midsummer's Night Dream): VI. Notturno | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | E Major | 0 | 12B | 89 BPM | |
 | Les larmes de Jacqueline | Jacques Offenbach, Hee-young Lim | C Major | 0 | 8B | 85 BPM | |
 | Thaïs / Acte Deux: Meditation | Jules Massenet, Josef Sakonov, London Festival Orchestra | D Major | 3 | 10B | 102 BPM | |
 | Manon: 'Au jeu! Au jeu!' | Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos | D Minor | 1 | 7A | 136 BPM | |
 | Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato | Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova | C Minor | 1 | 5A | 107 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Nicola Benedetti, Czech Philharmonic Orchestra, Jakub Hrůša | E♭ Major | 0 | 5B | 96 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | C Minor | 4 | 5A | 147 BPM |
- ISRC
- GBAYC0102366
- Label
- L-M Records/RCA Records
Section: 0.7148857116699219
End: 0.7184641361236572