"Symphony No. 9 in E minor, Op. 95 "From the New World": 2. Largo - Extract" by Antonín Dvořák, Chicago Symphony Orchestra, Sir Georg Solti was released on September 15, 2022. Symphony No. 9 in E minor, Op. 95 "From the New World": 2. Largo - Extract is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 121 out of 126 in Dvořák: Emotions by Antonín Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Symphony No. 9 in E minor, Op. 95 "From the New World": 2. Largo - Extract is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in E minor, Op. 95 "From the New World": 2. Largo - Extract by Antonín Dvořák, Chicago Symphony Orchestra, Sir Georg Solti is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Viola da Gamba in G Minor, BWV 1029: 2. Adagio (Arr. for Cello and Piano) | Johann Sebastian Bach, János Starker, György Sebök | A Minor | 1 | 8A | 109 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Concertgebouworkest, Bernard Haitink | F♯ Major | 0 | 2B | 68 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro moderato (Dvorák) | James Ehnes | B♭ Major | 1 | 6B | 63 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
La Fille aux cheveux de lin, L. 117, No. 8 | Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | G Major | 1 | 9B | 63 BPM | ||
Khachaturian : Spartacus, Suite No. 2: I. Adagio of Spartacus & Phrygia | Aram Khachaturian, Alexander Lazarev, Bolshoi Symphony Orchestra | D♭ Major | 1 | 3B | 175 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Leonard Elschenbroich, Alexei Grynyuk | E♭ Major | 0 | 5B | 90 BPM |
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