Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker made "Don Giovanni, K.527, Act II, Scena quinta: Ah, dov'e il perfido?" available on October 31, 1988. With Don Giovanni, K.527, Act II, Scena quinta: Ah, dov'e il perfido? being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 14 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527, Act II, Scena quinta: Ah, dov'e il perfido? is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Giovanni, K.527, Act II, Scena quinta: Ah, dov'e il perfido? by Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act 2: "Schelm! Halt fest!" | Carl Maria von Weber, Edith Mathis, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Major | 2 | 12B | 96 BPM | ||
Elektra, Op.58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | F Minor | 2 | 4A | 90 BPM | ||
La traviata / Act 1: "Ebben? che diavol fate?" | Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 2 | 4B | 168 BPM | ||
Così fan tutte, K. 588 / Act I: "Al fato dan legge" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 3 | 5B | 132 BPM | ||
Verdi: Messa da Requiem: VIII. Recordare | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt | Richard Wagner, Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch | C Major | 1 | 8B | 76 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Die Strahlen der Sonne vertreiben die Nacht" | Wolfgang Amadeus Mozart, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 60 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto | Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | B♭ Major | 1 | 6B | 171 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM |
Section: 0.6959092617034912
End: 0.6997976303100586