"Symphonic Suite, Op. 53a, "Gloriana" (version for orchestra): The Tournament" by Benjamin Britten, Osian Ellis, Keiron Moore, London Symphony Orchestra, Steuart Bedford was released on May 1, 2005. With this song being about 5 minutes long, at 4:36, "Symphonic Suite, Op. 53a, "Gloriana" (version for orchestra): The Tournament" by Benjamin Britten, Osian Ellis, Keiron Moore, London Symphony Orchestra, Steuart Bedford is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 18 in Britten: Sinfonia Da Requiem / Gloriana Suite / Sea Interludes by Benjamin Britten, Steuart Bedford. Based on our statistics, Symphonic Suite, Op. 53a, "Gloriana" (version for orchestra): The Tournament's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonic Suite, Op. 53a, "Gloriana" (version for orchestra): The Tournament by Benjamin Britten, Osian Ellis, Keiron Moore, London Symphony Orchestra, Steuart Bedford is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bonne chanson, Op. 61: No. 7, Donc, ce sera par un clair jour d'été | Gabriel Fauré, Sir Peter Pears, Benjamin Britten | C Minor | 2 | 5A | 74 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Nocturnes, L. 91: 3. Sirènes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton | F♯ Major | 1 | 2B | 93 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | E♭ Major | 3 | 5B | 87 BPM | ||
Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Major | 3 | 9B | 78 BPM | ||
Gloria, R. 589: Et in terra pax hominibus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 59 BPM | ||
Mont Juic, Op.12: I. Lament andante moderato | Benjamin Britten, Louis Frémaux, Philharmonia Orchestra | F Minor | 9 | 4A | 124 BPM |
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