Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Staatskapelle Berlin's 'Wagner: Lohengrin, Act 1: "Durch Gottes Sieg ist jetzt dein Leben mein" (Lohengrin, Henry, Elsa, Frederick, Ortrud, Chorus)' came out on 1995. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 76 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wagner: Lohengrin, Act 1: "Durch Gottes Sieg ist jetzt dein Leben mein" (Lohengrin, Henry, Elsa, Frederick, Ortrud, Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Lohengrin, Act 1: "Durch Gottes Sieg ist jetzt dein Leben mein" (Lohengrin, Henry, Elsa, Frederick, Ortrud, Chorus) by Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Staatskapelle Berlin is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Pêcheurs de perles: Entends au loin ce bruit de fête! (Nourabad, Leïla, Zurga) | Georges Bizet, Jacques Mars/Janine Micheau/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D♭ Major | 1 | 3B | 99 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
Rossini: Guillaume Tell, Act 4 Scene 11: "Pourquoi ta presence, ô mon père! ... Tout change et grandit en ces lieux!" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chorus) | Gioachino Rossini, Mady Mesplé/Jocelyne Taillon/Gabriel Bacquier/Nicolai Gedda/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM | ||
Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Eva Podles, Enrico Fissore, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
L'elisir d'amore / Act 1: "Or se m'ami, come io t'amo...Intanto, o mia ragazza" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 132 BPM | ||
Der fliegende Holländer / Act 1: "Durch Sturm und bösen Wind verschlagen" | Richard Wagner, Bernd Weikl, Hans Sotin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 3 | 9B | 90 BPM | ||
Tosca / Act 2: "Vedi, le man giunte" | Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Piero de Palma, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D♭ Minor | 4 | 12A | 108 BPM | ||
Verdi: Aïda, Act 3: Aria, "O patria mia" (Aida) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 74 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: "Was weckst du Zweifel und Zwist!" | Richard Wagner, Gundula Janowitz, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 62 BPM |
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