"Götterdämmerung, WWV 86D / Erster Aufzug: "Was weckst du Zweifel und Zwist!"" by Richard Wagner, Gundula Janowitz, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1970. With this song being about 5 minutes long, at 4:33, "Götterdämmerung, WWV 86D / Erster Aufzug: "Was weckst du Zweifel und Zwist!"" by Richard Wagner, Gundula Janowitz, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Götterdämmerung by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #8 out of 48 tracks. Götterdämmerung, WWV 86D / Erster Aufzug: "Was weckst du Zweifel und Zwist!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, WWV 86D / Erster Aufzug: "Was weckst du Zweifel und Zwist!" by Richard Wagner, Gundula Janowitz, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Götterdämmerung, WWV 86D / Erster Aufzug: "Was weckst du Zweifel und Zwist!" being at 62 BPM, the half-time would be 31 BPM with a double-time of 124 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Variations On A Theme By Haydn, Op.56a: Variation I: Poco più animato | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 179 BPM | ||
Pictures at an Exhibition: Promenade (II) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 139 BPM | ||
Te Deum, WAB 45: 4. Salvum fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 89 BPM | ||
Messa da Requiem: 1. Requiem | Giuseppe Verdi, Anna Tomowa-Sintow, Agnes Baltsa, José Carreras, José van Dam, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Chorus of the Sofia National Opera, Walter Hagen-Groll | B♭ Minor | 3 | 3A | 100 BPM | ||
Cavalleria rusticana: Scena - Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Parsifal, WWV 111 / Act I: Nun sag'! Nichts weißt du, was ich dich frage | Richard Wagner, Dunja Vejzovic, Peter Hofmann, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 93 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Symphony No. 8, Zweiter Teil: VII. Ewiger Wonnebrand | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, David Wilson-Johnson | A♭ Major | 2 | 4B | 74 BPM |
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