"Pictures at an Exhibition: Promenade (II)" by Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1998. With Pictures at an Exhibition: Promenade (II) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Lazar Berman, Berliner Philharmoniker, Herbert von Karajan's "Mussorgsky: Bilder einer Ausstellung" album is number 8 out of 31. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Pictures at an Exhibition: Promenade (II)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: Promenade (II) by Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Promenade V | Modest Mussorgsky, Evgeny Kissin | A Major | 1 | 11B | 144 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Symphony No. 35 in D Major, K. 385 "Haffner": IV. Finale (Presto) | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm | G Minor | 3 | 6A | 126 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | E Minor | 0 | 9A | 79 BPM | ||
Shostakovich: Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Mariss Jansons, Berliner Philharmoniker | E♭ Major | 1 | 5B | 78 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta | B Minor | 1 | 10A | 114 BPM | ||
Symphony No.9 In D / 4. Satz: A tempo (Molto adagio) | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 105 BPM | ||
Romeo and Juliet, Op.64 - Act 1: The Departure Of the Guests - Gavotte | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 0 | 9B | 136 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation VIII | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM |
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