"Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato)" by Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta was released on January 1, 2003. Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) appears to be safe for all ages as it is not explicit. The song is number 4 out of 18 in Dvorák: Cello Concerto / Strauss, R.: Don Quixote by Mischa Maisky, Berliner Philharmoniker, Zubin Mehta. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) by Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Shostakovich: Piano Quintet in G Minor, Op. 57: III. Scherzo. Allegretto (Live) | Dmitri Shostakovich, Martha Argerich, Mischa Maisky, Renaud Capuçon, Alissa Margulis, Lyda Chen | E Major | 5 | 12B | 134 BPM | ||
Symphony No. 8 in F Major, Op. 93: 2. Allegretto scherzando | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 83 BPM | ||
Brahms: Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 1 | 3B | 125 BPM | ||
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft (2) [Live] | Robert Schumann, Tibor de Machula, Berliner Philharmoniker, Wilhelm Furtwängler | D Minor | 3 | 7A | 128 BPM | ||
Pictures At An Exhibition: Promenade - 2 | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 91 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Sinfonia Concertante in E-Flat Major, K. 364: 3. Presto - Live | Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | E♭ Major | 1 | 5B | 77 BPM | ||
交響曲第3番ヘ長調作品90 第1楽章:アレグロ・コン・ブリオ | ベルリン フィルハーモニー管弦楽団 | C Major | 3 | 8B | 120 BPM | ||
Symphony No.2 In D, Op.36: 4. Allegro molto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 143 BPM |
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