"Motet No. 8: Et non est qui adjuvet / Ha! Fortune / Qui e promesses" by Guillaume de Machaut, Ensemble Musica Nova was released on May 26, 2011. The duration of Motet No. 8: Et non est qui adjuvet / Ha! Fortune / Qui e promesses is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Motet No. 8: Et non est qui adjuvet / Ha! Fortune / Qui e promesses's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guillaume de Machaut, Ensemble Musica Nova's "Machaut: Les motets" album is number 3 out of 34. On top of that, France appears to be the country where this track was created. In terms of popularity, Motet No. 8: Et non est qui adjuvet / Ha! Fortune / Qui e promesses is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Motet No. 8: Et non est qui adjuvet / Ha! Fortune / Qui e promesses by Guillaume de Machaut, Ensemble Musica Nova to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greensleeves (II) | John Johnson, Baltimore Consort | F Major | 1 | 7B | 90 BPM | ||
Hé, dame de valour, Virelai 11 a 1: I. Hé, dame de valour | Guillaume de Machaut, Orlando Consort | C Major | 2 | 8B | 67 BPM | ||
Crux fidelis | João IV of Portugal, Oxford Camerata, Jeremy Summerly | F Major | 0 | 7B | 74 BPM | ||
La Magdalena | Pierre Attaingnant, La Rossignol | G Major | 1 | 9B | 69 BPM | ||
Quella bella e biancha mano | Antonio Caprioli, Shirley Rumsey | D Major | 0 | 10B | 72 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Douce Dame | Guillaume de Machaut, Trinity Baroque, Fprbury Consort, The Holbein Consort, Martin Pope, Alan Crumpler, Julian Podger | C Major | 0 | 8B | 114 BPM | ||
Pavane | Pierre Attaingnant, Ronn McFarlane | G Minor | 1 | 6A | 96 BPM | ||
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM |
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