Robert Stevenson made "Chapter 10.5 - Docteur Jekyll et Mister Hyde" available on January 1, 2011. The duration of Chapter 10.5 - Docteur Jekyll et Mister Hyde is about 3 minutes long, at 3:08. Based on our data, "Chapter 10.5 - Docteur Jekyll et Mister Hyde" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 44 out of 54 in Docteur Jekyll et Mister Hyde by Robert Stevenson. In terms of popularity, Chapter 10.5 - Docteur Jekyll et Mister Hyde is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chapter 10.5 - Docteur Jekyll et Mister Hyde by Robert Stevenson is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
À Paris sur le petit pont | Pierre Guédron, Véronique Bourin, Doulce Mémoire, Denis Raisin-Dadre | E♭ Major | 1 | 5B | 78 BPM | ||
Manuscrit Panmure: Courante in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | A♭ Minor | 2 | 1A | 141 BPM | ||
Violin Sonata No. 1, Op. 6a, "Sonatina": I. Allegro: Marcato e moderato | Joseph Holbrooke, Kerenza Peacock, Robert Stevenson | A♭ Minor | 7 | 1A | 110 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Antigua 3 (Courante) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
Misa Tango: V. Benedictus | MartÍn Palmeri, Astoria, Philippe Gérard | G Major | 2 | 9B | 124 BPM | ||
Psyche: Symphony for the descending of Venus | Matthew Locke, Ensemble Leviathan, Lucile Tessier | C Major | 2 | 8B | 75 BPM | ||
II. Aria Moderato | James Oswald, Artemandoline | F♯ Major | 1 | 2B | 67 BPM |
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