"Misa Tango: V. Benedictus" by MartÍn Palmeri, Astoria, Philippe Gérard was released on June 4, 2021. The duration of Misa Tango: V. Benedictus is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Misa Tango: V. Benedictus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in MartÍn Palmeri, The New Baroque Times Voices, Philippe Gérard, Astoria's "Misa Tango" album is number 5 out of 9. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Misa Tango: V. Benedictus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa Tango: V. Benedictus by MartÍn Palmeri, Astoria, Philippe Gérard to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Confitebor tibi I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Geistliche und weltliche Lieder: XIV, Wohl dem, der den Herren fürchtet | Leonard Lechner, Kristen Witmer, Daniel Schreiber, Raphael Höhn, Wolf Matthias Friedrich, Capricornus Ensemble Stuttgart, Henning Wiegrabe | E♭ Major | 2 | 5B | 96 BPM | ||
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) | Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter Marschik | C Minor | 0 | 5A | 83 BPM | ||
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: But Ere We This Perform (Two Witches) | Henry Purcell, Les Argonautes, Jonas Descotte, Ana Vieira Leite, Julie Roset | F♯ Major | 1 | 2B | 84 BPM | ||
Gott Hilf Mir, BuxWV 34: Choral "Wer hofft in Gott" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Escualo | Astor Piazzolla, Astoria | B Minor | 4 | 10A | 76 BPM | ||
Requiem: Te decet hymnus in Sion | Adam Václav Michna z Otradovic, Chorale franco-allemande de Paris, Bernard Lallement | G Major | 1 | 9B | 89 BPM | ||
Missa Popularis: I. Kyrie | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | B Minor | 1 | 10A | 109 BPM | ||
Amadis / Acte II: Vous ne devez plus attendre | Jean-Baptiste Lully, Hugo Reyne, La Simphonie Du Marais, Choeur Du Marais, Thomas Van Essen, Agathe Boudet, Hélène Richer, Daniel Lalandre | F♯ Minor | 0 | 11A | 117 BPM | ||
Missa S. Marcellini: XI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM |
Section: 0.9370162487030029
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