Joseph Holbrooke, Kerenza Peacock, Robert Stevenson made "Violin Sonata No. 1, Op. 6a, "Sonatina": I. Allegro: Marcato e moderato" available on August 2, 2011. Violin Sonata No. 1, Op. 6a, "Sonatina": I. Allegro: Marcato e moderato is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Joseph Holbrooke, Kerenza Peacock's "Holbrooke: Violin Concerto, 'The Grasshopper'" album is number 1 out of 11. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Violin Sonata No. 1, Op. 6a, "Sonatina": I. Allegro: Marcato e moderato is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Violin Sonata No. 1, Op. 6a, "Sonatina": I. Allegro: Marcato e moderato by Joseph Holbrooke, Kerenza Peacock, Robert Stevenson to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Pieces from Romeo and Juliet, Op. 75: IV. Young Juliet | Sergei Prokofiev, Behzod Abduraimov | A♭ Major | 1 | 4B | 106 BPM | ||
Scherzo (1954) | Jānis Ķepītis, Duo Arnicans | F Major | 2 | 7B | 132 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
Fantasias (Seven Piano Pieces), Op. 116: II. Intermezzo | Johannes Brahms, Piet Kuijken | A Minor | 0 | 8A | 74 BPM | ||
Schnittke: Cello Sonata No. 1, Op. 129: II. Presto | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
5 Stücke im Volkston, Op. 102: No. 2, Langsam | Robert Schumann, Dénes Várjon, Steven Isserlis | F Major | 0 | 7B | 98 BPM | ||
Etude en 12 exercices, S. 136: No. 2 in A Minor | Franz Liszt, Lívia Rév | A Minor | 3 | 8A | 93 BPM | ||
The Danserye (Transcr. for Piano by Florian Noack): III. Den Hoboeckendans | Tylman Susato, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
24 Preludes: No. 16 in B-Flat Minor | Eduard Bagdasarian, Mikael Ayrapetyan | G Major | 1 | 9B | 66 BPM | ||
Lyssenko: Rhapsody on Ukrainian Themes No. 2, Op. 18: I. Dumka (Version for Piano Solo) | Mykola Lysenko, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM |
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