Johann Strauss II, Franz Allers, Chor der Bayerischen Staatsoper München, Hermann Prey, Bavarian State Orchestra made "Strauss, J. II: Der Zigeunerbaron, Act 2: "Her die Hand, es muß ja sein" - "Wir Alle wollen lustig sein" (Homonay, Chor)" available on June 30, 2023. The duration of Strauss, J. II: Der Zigeunerbaron, Act 2: "Her die Hand, es muß ja sein" - "Wir Alle wollen lustig sein" (Homonay, Chor) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Strauss, J. II: Der Zigeunerbaron, Act 2: "Her die Hand, es muß ja sein" - "Wir Alle wollen lustig sein" (Homonay, Chor)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Strauss II, Grace Bumbry, Rita Streich, Nicolai Gedda, Franz Allers, Bavarian State Orchestra's "J. Strauss II: Der Zigeunerbaron" album is number 33 out of 47. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Strauss, J. II: Der Zigeunerbaron, Act 2: "Her die Hand, es muß ja sein" - "Wir Alle wollen lustig sein" (Homonay, Chor) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Strauss, J. II: Der Zigeunerbaron, Act 2: "Her die Hand, es muß ja sein" - "Wir Alle wollen lustig sein" (Homonay, Chor) by Johann Strauss II, Franz Allers, Chor der Bayerischen Staatsoper München, Hermann Prey, Bavarian State Orchestra to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 2: Scène. Moderato | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E Minor | 2 | 9A | 87 BPM | ||
Gayane: Sabre Dance - Redbook Stereo | Aram Khachaturian, Arthur Fiedler | C Major | 6 | 8B | 90 BPM | ||
Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Menuet No. 5, Op. 11 | The Jane Austen Era | A Major | 1 | 11B | 105 BPM |
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