"Wagner: Lohengrin, WWV 75, Act 2 Scene 4: Prozession - "Gesegnet soll sie schreiten" (Edlen, Mannen)" by Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker was released on 1964. With this song being about 5 minutes long, at 5:13, "Wagner: Lohengrin, WWV 75, Act 2 Scene 4: Prozession - "Gesegnet soll sie schreiten" (Edlen, Mannen)" by Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Lohengrin by Richard Wagner, Rudolf Kempe. The song's track number on the album is #13 out of 55 tracks. Wagner: Lohengrin, WWV 75, Act 2 Scene 4: Prozession - "Gesegnet soll sie schreiten" (Edlen, Mannen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Lohengrin, WWV 75, Act 2 Scene 4: Prozession - "Gesegnet soll sie schreiten" (Edlen, Mannen) by Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Wagner: Lohengrin, WWV 75, Act 2 Scene 4: Prozession - "Gesegnet soll sie schreiten" (Edlen, Mannen) being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Die verkaufte Braut: Overture | Staatskapelle Dresden, Otmar Suitner | F Major | 4 | 7B | 146 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Die Zauberflöte, K.620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 85 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Die Walkure, Act III Scene 3: Feuerzauber | Richard Wagner, Budapest Symphony Orchestra, György Lehel | A Major | 1 | 11B | 78 BPM |
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