Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth's 'Kapitel 30.2 & Kapitel 31.1 - Wie Google tickt - How Google Works' came out on January 8, 2015. The duration of Kapitel 30.2 & Kapitel 31.1 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Kapitel 30.2 & Kapitel 31.1 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #64 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kapitel 30.2 & Kapitel 31.1 - Wie Google tickt - How Google Works's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Kapitel 30.2 & Kapitel 31.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Kapitel 30.2 & Kapitel 31.1 - Wie Google tickt - How Google Works being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" | Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland | F Minor | 1 | 4A | 84 BPM | ||
Ave María | Sigvaldi Kaldalóns, Karlakórinn Heimir | G Major | 2 | 9B | 99 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): IV. Im Abendrot | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
Verdi: Nabucco, Act 3: Coro di schiavi ebrei. "Va pensiero, sull'ali dorate" (Excerpt) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | B Major | 4 | 1B | 63 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: Pifa. Larghetto e mezzo piano | George Frideric Handel, Otto Klemperer, Philharmonia Orchestra | D Major | 4 | 10B | 114 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM |
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