"5 Gesange (arr. J. Panula): No. 2. Ekstase (Ecstasy)" by Alma Mahler, Jorma Panula, Lilli Paasikivi, Tampere Philharmonic Orchestra was released on January 1, 2003. The duration of 5 Gesange (arr. J. Panula): No. 2. Ekstase (Ecstasy) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. 5 Gesange (arr. J. Panula): No. 2. Ekstase (Ecstasy)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alma Mahler, Jorma Panula, Lilli Paasikivi's "Mahler, A.: Songs (Complete)" album is number 11 out of 16. On top of that, Finland appears to be the country where this track was created. 5 Gesange (arr. J. Panula): No. 2. Ekstase (Ecstasy) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 5 Gesange (arr. J. Panula): No. 2. Ekstase (Ecstasy) by Alma Mahler, Jorma Panula, Lilli Paasikivi, Tampere Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Mozart: "Dans un bois solitaire", K. 308 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Raphael Pichon, Ensemble Pygmalion | A♭ Major | 1 | 4B | 88 BPM | ||
Rapsodie Negre: I. Prélude | Francis Poulenc, Badke Quartet, Lisa Friend, Julian Bliss, Malcolm Martineau | C Minor | 0 | 5A | 67 BPM | ||
3 Songs, Op. 23: No. 3, Le secret | Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg | C Major | 0 | 8B | 169 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
4 Gesänge, Op. 2: I. Schlafen, schlafen | Alban Berg, Matthias Goerne, Daniil Trifonov | F♯ Major | 2 | 2B | 85 BPM | ||
Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | D Minor | 2 | 7A | 77 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Träumen, Op. 7 | Willy Heinz Müller, Rainer Maria Rilke, Mélanie Adami, Judit Polgar | B Minor | 2 | 10A | 88 BPM |
Section: 0.6798014640808105
End: 0.6842269897460938