"4 Gesänge, Op. 2: I. Schlafen, schlafen" by Alban Berg, Matthias Goerne, Daniil Trifonov was released on June 10, 2022. The duration of 4 Gesänge, Op. 2: I. Schlafen, schlafen is about 3 minutes long, at 3:19. Based on our data, "4 Gesänge, Op. 2: I. Schlafen, schlafen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Matthias Goerne, Daniil Trifonov, Alban Berg, Dmitri Shostakovich, Hugo Wolf, Johannes Brahms, Robert Schumann's "Lieder (Berg, Schumann, Wolf, Shostakovich, Brahms)" album is number 1 out of 30. On top of that, Germany appears to be the country where this track was created. 4 Gesänge, Op. 2: I. Schlafen, schlafen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Gesänge, Op. 2: I. Schlafen, schlafen by Alban Berg, Matthias Goerne, Daniil Trifonov to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Art Of Fugue, BWV 1080: Contrapunctus 1 | Johann Sebastian Bach, Daniil Trifonov | D Minor | 2 | 7A | 111 BPM | ||
Piano Sonata, Op.1 | Alban Berg, Pierre-Laurent Aimard | E Minor | 1 | 9A | 74 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Intermezzo in A-Flat Major, Op. 76, No. 3 | Johannes Brahms, Arcadi Volodos | A♭ Major | 0 | 4B | 67 BPM | ||
Winterreise, D. 911: VII. Auf dem Flusse | Franz Schubert, Wilhelm Müller, Matthias Goerne, Christoph Eschenbach | D Minor | 0 | 7A | 135 BPM | ||
Psalm 42, Op. 42, MWV A15: Quintetto: Der Herr hat des Tages | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D♭ Major | 2 | 3B | 121 BPM | ||
Nocturne, Op. 33 | Samuel Barber, Daniil Trifonov | A♭ Major | 1 | 4B | 63 BPM | ||
Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) | Christian Petzold, Daniil Trifonov | G Minor | 2 | 6A | 117 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Myrthen, Op. 25: 24. Du bist wie eine Blume | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 131 BPM |
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