- BPM
- 111
- Key
- D Minor
- Camelot
- 7A
The Art Of Fugue, BWV 1080: Contrapunctus 1 - Johann Sebastian Bach, Daniil Trifonov Information
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 21%
- Instrumentalness
- 81%
- Liveness
- 14%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 33%
- Popularity
- 23%
- Loudness
- -21.743 dB
Summary
Johann Sebastian Bach, Daniil Trifonov's 'The Art Of Fugue, BWV 1080: Contrapunctus 1' came out on February 11, 2022. The duration of The Art Of Fugue, BWV 1080: Contrapunctus 1 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Art Of Fugue, BWV 1080: Contrapunctus 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 37 out of 58 in BACH: The Art of Life (Encore Edition) by Daniil Trifonov, Johann Christoph Friedrich Bach, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Art Of Fugue, BWV 1080: Contrapunctus 1 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The Art Of Fugue, BWV 1080: Contrapunctus 1 BPM
The tempo marking of The Art Of Fugue, BWV 1080: Contrapunctus 1 by Johann Sebastian Bach, Daniil Trifonov is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The Art Of Fugue, BWV 1080: Contrapunctus 1 Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo | Felix Mendelssohn, Philippe Cassard | B♭ Major | 0 | 6B | 89 BPM | |
 | Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | |
 | Capriccio in B-Flat Major, BWV 992 "On the Departure Of A Dear Brother": III. Adagisissimo | Johann Sebastian Bach, Wilhelm Kempff | B♭ Major | 1 | 6B | 72 BPM | |
 | 2 Clavier-Sonaten, 2 Fantasien und 2 Rondos für Kenner und Liebhaber, Wq. 59: IV. Rondo in C Minor, H. 283 | Carl Philipp Emanuel Bach, Daniil Trifonov | A♭ Major | 1 | 4B | 98 BPM | |
 | Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | |
 | Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | |
 | 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | |
 | Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | |
 | Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | |
 | L’enharmonique | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 0 | 6A | 107 BPM |
- ISRC
- DEN962131737
- Label
- L-M Records/RCA Records
Section: 0.6193423271179199
End: 0.624229907989502