Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri
Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini
Vivaldi: Stabat Mater
6:37 1995
BPM
159
Key
F♯ Major
Camelot
2B

Embed

Share Link

Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri - Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini Information

Acousticness
94%
Danceability
34%
Energy
21%
Instrumentalness
0%
Liveness
15%
Loudness
70%
Speechiness
4%
Valence
46%
Popularity
Loudness
-17.811 dB

Summary

Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini made "Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri" available on 1995. Since Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Chiara Banchini, Ensemble 415, Andreas Scholl. The song's track number on the album is #11 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri BPM

Since Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini has a tempo of 159 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri being at 159 BPM, the half-time would be 80 BPM with a double-time of 318 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.

Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri Key

F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Petite Messe solennelle: I. Kyrie eleison - Christe eleison by Gioachino Rossini, Bavarian Radio Chorus, Tal & GroethuysenPetite Messe solennelle: I. Kyrie eleison - Christe eleisonGioachino Rossini, Bavarian Radio Chorus, Tal & GroethuysenC Major18B65 BPM
Stabat Mater, RV 621: VI. Pro peccatis suae gentis by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara BanchiniStabat Mater, RV 621: VI. Pro peccatis suae gentisAntonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara BanchiniE Minor19A69 BPM
Miserere, ZWV 57: I. Miserere I by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánMiserere, ZWV 57: I. Miserere IJan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánB Minor310A75 BPM
Schlage doch, gewünschte Stunde (Formerly Attrib. Bach as BWV 53) by Melchior Hoffmann, Andreas Scholl, Kammerorchester Basel, Julia SchröderSchlage doch, gewünschte Stunde (Formerly Attrib. Bach as BWV 53)Melchior Hoffmann, Andreas Scholl, Kammerorchester Basel, Julia SchröderE Major112B77 BPM
Go from my window by John Dowland, Andreas Martin, Andreas SchollGo from my windowJohn Dowland, Andreas Martin, Andreas SchollG Major09B66 BPM
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude by Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens LyriquesRameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: PréludeJean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens LyriquesB♭ Major26B107 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro by Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzBach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. AllegroOttorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzD Major210B126 BPM
Sancta Mater by Andreas SchollSancta MaterAndreas SchollD Major110B73 BPM
Requiem in D minor, K.626: 1. Introitus: Requiem by Wolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerRequiem in D minor, K.626: 1. Introitus: RequiemWolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD Minor17A90 BPM
Rameau: Les Indes galantes, Quatrième entrée Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages)Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les AmbassadeursF♯ Minor311A85 BPM
ISRC
FRZ149510110
Label
L-M Records/RCA Records

Section: 0.6235809326171875

End: 0.628166675567627