Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini made "Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri" available on 1995. Since Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Chiara Banchini, Ensemble 415, Andreas Scholl. The song's track number on the album is #11 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini has a tempo of 159 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": II. Sileant zephyri being at 159 BPM, the half-time would be 80 BPM with a double-time of 318 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Messe solennelle: I. Kyrie eleison - Christe eleison | Gioachino Rossini, Bavarian Radio Chorus, Tal & Groethuysen | C Major | 1 | 8B | 65 BPM | ||
Stabat Mater, RV 621: VI. Pro peccatis suae gentis | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E Minor | 1 | 9A | 69 BPM | ||
Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | ||
Schlage doch, gewünschte Stunde (Formerly Attrib. Bach as BWV 53) | Melchior Hoffmann, Andreas Scholl, Kammerorchester Basel, Julia Schröder | E Major | 1 | 12B | 77 BPM | ||
Go from my window | John Dowland, Andreas Martin, Andreas Scholl | G Major | 0 | 9B | 66 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Minor | 1 | 7A | 90 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM |
Section: 0.6235809326171875
End: 0.628166675567627